Die Zauberflöte (Sharon)
Grand opera in two acts (1791)
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart’s most famous opera by far is also his most enigmatic, blending into one the opposing worlds of popular Viennese theatre and the philosophical drama of the Enlightenment. At the heart of Yuval Sharon’s production – for which Mimi Lien’s set and Walter Van Beirendonck’s imaginative costumes were nominated for the London Design Museum’s »Beazley Designs of the Year 2019« – stands the idea of a collage like Mozart’s music itself, which constantly oscillates between the styles of popular theatre, singspiel and opera seria. Sharon also explores Viennese machine comedy and marionette theatre, in which Heinrich von Kleist admired the lost »natural grace« of man. In Sharon’s approach, the imagination of a child pulls the strings.
In addition to the new production of the »Magic Flute«, the Everding production, one of the classics in the Staatsoper repertoire, will continue, thus offering two different perspectives on the world’s most-performed German-language opera.
In a mythical past, a king and queen ruled together over a kingdom of day and night. Their daughter was called Pamina. When the king died, he gave his power – symbolized by the mighty circle of the sun – not to the queen, but to the Brotherhood headed by Sarastro, thereby dividing the realm of light and shadow in two. After the king’s death, however, his wife attempted to win back the power she had lost as the Queen of the Night. In order to remove Pamina from her mother’s negative influence, Sarastro has had her kidnapped.
While hunting, the young prince Tamino is lured into the realm controlled by the Queen of the Night and threatened by a monster. Fearing for his life, he loses consciousness. The Three Ladies who attend the Queen of the Night quarrel over the unconscious young man. When the prince awakes, the bird catcher Papageno tells him where he is. On the queen’s orders, the Three Ladies give Tamino a portrait of the princess Pamina, and he falls instantly and deeply in love. The queen attempts to use this love to recover Pamina and, with her, the powerful circle of the sun from Sarastro. Tamino is determined to free Pamina from Sarastro. Papageno is told to accompany him, and both are equipped with magic instruments, a flute and a set of bells. Three Boys are to guide them as good spirits. In the meantime, Pamina attempts to flee Sarastro’s control in order to escape the cruel slave overseer Monostatos. Papageno, however, finds her and tells her that Tamino loves her, and they flee together. When Tamino meets the Speaker of the Brotherhood at the gates of the temple, he begins to doubt what he has heard of Sarastro’s evil intentions. In his uncertainty, he turns to the invisible higher powers and, for the first time, discovers his flute’s magic powers. Pamina and Papageno’s attempt to flee is thwarted by the arrival of Sarastro, but Pamina decides to tell Sarastro the truth. She and Tamino meet. Sarastro has Tamino and Papageno brought to the Temple of Wisdom. As a woman, Pamina cannot accompany them.
Sarastro asks the members of the Order to let Tamino face the trials that will initiate him into the Brotherhood and, at the same time, announces that he intends for Pamina and Tamino to wed. As their first trial, Tamino and Papageno are forbidden to speak, an utter impossibility for Papageno. The Queen of the Night sees that her plans are being foiled by Sarastro. She forces her way into the temple and calls on Pamina to kill Sarastro. Sarastro, however, uses humanity and forgiveness to fight the queen’s desire for vengeance. The Three Boys return to Tamino and Papageno the magic instruments that were taken from them before their admission to the temple. Pamina cannot understand Tamino’s silence and doubts his love. She decides to kill herself and is stopped by the Three Boys at the last moment. In the end, the two lovers pass the final, decisive test in the temple of fire and water together. In the meantime, Papageno, too, decides to kill himself because the Papagena he had found at last has been taken from him. Here, too, the Three Boys arrive to save him. Monostatos allies himself with the Queen of the Night, but their attack is thwarted and the sun banishes the darkness. Together with the Queen of the Night, Sarastro is able to turn over the mighty circle of the sun to the new king and queen, Tamino and Pamina.
Supported by the Association of the Friends and Supporters of the Staatsoper Unter den Linden